Kamis, April 30, 2015

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From Summit Entertainment. The memories and skills of a CIA agent are implanted into the brain of a dangerous criminal in order to stop an international terrorist. (C) Summit

About Criminal

Artist : Gal Gadot, Ryan Reynolds, Alice Eve
As : Jill Pope, Bill Pope, Marta Lynch, Quaker Wells, Jericho Stewart
Title : Premium View Criminal Full ☢☢ [SECRET]
Release date : 2016-04-15
Movie Code : 3014866
Duration : 113
Category : Drama, Action, Adventure, Mystery, Suspense

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Comment For Criminal Cinemas Del Country

Name : Richard Roeper / Alias : Chicago Sun-Times
Given the lurid, stupid, loony and unintentionally laughable nature of this espionage thriller, I found some measure of entertainment studying the vastly different approaches taken by Costner, Jones and Oldman.

Name : James Berardinelli / Alias : ReelViews
Criminal is an action-thriller with a science fiction twist. To the extent that its purpose is to energize and involve an audience, it succeeds.

Name : Joe McGovern / Alias : Entertainment Weekly
Criminal's story moves like a fat cow.

Name : Kenneth Turan / Alias : Los Angeles Times
Half science-fiction tale, half espionage thriller, it's a pleasantly far-fetched endeavor that moves along so briskly that it leaves no time to consider its implausibilities, which are many.

Name : Peter Keough / Alias : Boston Globe
Kevin, why don't they just let you be bad as you want to be?

Name : Kate Taylor / Alias : Globe and Mail
Neither scriptwriters Douglas Cook and David Weisberg nor Vromen in the director's chair are subtle enough to figure out how to do both action and character.

Name : Soren Anderson / Alias : Seattle Times
"Criminal" is as by-the-numbers as thrillers come. But a payday is a payday, I guess. Bank those bucks, people, and go on to something better.

Name : Andrew Barker / Alias : Variety
Struggling to generate much tension, the film opts for sensory battery in the action scenes, rendering gunshots as loud as cannon fire and splashing blood every which way.

Name : Stephen Whitty / Alias : New York Daily News
It's like the movie was written in crayon, in the margins of a comic book.

Name : Mark Jenkins / Alias : NPR
With its European locations, electro-thump score, and near-ceaseless violence, the movie plays like something tooled in French producer-scripter Luc Besson's factory for international action mashups.

Name : Tom Huddleston / Alias : Time Out
The fact that it's all played completely straight only makes it funnier.

Name : Matthew Lickona / Alias : San Diego Reader
All the ingredients are there for a pleasant pander to grumpy old white men: the craggy actors, the foreign bad guys wielding confusing technology, the kindness of beautiful young women, and the nobility of sacrifice.

Name : Ignatiy Vishnevetsky / Alias : AV Club
Perhaps it's almost too perfect that the movie should suffer from a personality conflict of its own; too bad that it's the uninspired direction and not the demented pulpiness that dominates in the end.

Name : Mick LaSalle / Alias : San Francisco Chronicle
"Criminal" depicts a compelling situation, made rich and entertaining through its extreme characters.

Name : Rafer Guzman / Alias : Newsday
So-so pulp, elevated by Costner as a feral felon.

Name : Sara Stewart / Alias : New York Post
Guns, gore and good actors shoehorned into one-note parts.

Name : Todd McCarthy / Alias : Hollywood Reporter
Even if you've allowed yourself to hope that the redoubtable actors might tilt the proceedings in a positive direction, almost every choice made by director Ariel Vromen. sends Criminal spiraling toward overwrought silliness.

Name : Neil Genzlinger / Alias : New York Times
It's best not to think about this preposterous story too hard. Just ride it to its even more preposterous climax, enjoying Mr. Costner and a steady supporting cast (Gary Oldman as the C.I.A. honcho; Gal Gadot as Bill's wife) along the way.

Name : Peter Howell / Alias : Toronto Star
So much wasted talent. Downright Criminal, it is.

Name : Randy Cordova / Alias : Arizona Republic
You may never believe one minute of "Criminal," but Costner sure does.

Name : Michael O'Sullivan / Alias : Washington Post
Like its brain-damaged protagonist, "Criminal" just shouts and shoots its way into, not out of, an oblivion of illogic, plot holes and emotionally unengaging scenery-chewing.

Name : Bruce Kirkland / Alias : Toronto Sun
Criminal is a screwed-up mess as a story and as an action movie with a so-called moral lesson in it. In fact, the more I think about it, the less I like it.

Name : Steven Rea / Alias : Philadelphia Inquirer
Egregiously silly, generic .

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Selasa, April 21, 2015

Regarder Film Demon En Streaming

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Newly arrived from England to marry his fiancee Zaneta (Agnieszka Zulewska, Chemo), Peter (Israeli actor Itay Tiran, Lebanon) has been given a gift of her family's ramshackle country house in rural Poland. It's a total fixer-upper, and while inspecting the premises on the eve of the wedding, he falls into a pile of human remains. The ceremony proceeds, but strange things begin to happen. During the wild reception, Peter begins to come undone, and a dybbuk, the iconic ancient figure from Jewish folklore, takes a toehold in this present-day celebration-for a very particular reason, as it turns out. The final work by Marcin Wrona, who died just as DEMON was set to premiere in Poland, is part absurdist comedy, part love story-that scares, amuses, and charms in equal measure.

About Demon

Artist : Itay Tiran, Agnieszka Zulewska, Andrzej Grabowski, Tomasz Schuchardt, Katarzyna Herman
As : Piotr
Title : Regarder Film Demon En Streaming
Release date : 2016-09-09
Movie Code : 4935158
Duration : 94
Category : Art House, International, Mystery, Suspense

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Comment For Montre Imdb Demon Moviez

Name : Stephen Whitty / Alias : Newark Star-Ledger
Refn has shown that he's a director who knows how to say things with energy and imagery and verve. Now if he could only find something worth saying.

Name : Anthony Lane / Alias : New Yorker
Prettiness and brutality both seep from the pores of the movie.

Name : James Berardinelli / Alias : ReelViews
Pretentious and self-indulgent, it seems tailor-made to appeal to lovers of the obtuse and inscrutable until it takes a left-turn into schlocky, gore-drenched splatter imagery.

Name : J. Hoberman / Alias : Tablet
Demon, Wrona's third and last feature, a Polish-Israeli co-production, is a supernatural film, as well as a family of melodrama and extremely dark comedy.

Name : Michael O'Sullivan / Alias : Washington Post
If Refn is trying to skewer our cultural fixation with youth and good looks, his blade isn't up to the task. "The Neon Demon" attacks, but indiscriminately.

Name : Alison Willmore / Alias : BuzzFeed News
The movie is a bloody-mawed catfight on hallucinogens, but the visual splendor doesn't change the fact that the film barely has characters.

Name : Robert Abele / Alias : TheWrap
Enjoy the cascade of formal, brazen imagery, just don't mistake its sporadic painterly power for the clinical rigor of Kubrick, De Palma's maestro panache, or a snaky Lynchian nightmare.

Name : Rene Rodriguez / Alias : Miami Herald
The Neon Demon is a voluptuous provocation, a stylish free-fall down a gonzo rabbit hole that is as entrancing as it is maddening.

Name : Justin Chang / Alias : Los Angeles Times
Perhaps it's best to appreciate "Demon" not for what it implies but for what it simply and unmistakably is: A bravura testament to a talent silenced far too soon.

Name : Glenn Kenny / Alias : New York Times
"The Neon Demon" is hot garbage that dares you to call it offensive. In addition, it's offensive.

Name : Edward Douglas / Alias : New York Daily News
As with many supermodels, The Neon Demon is gorgeous to the eye but ultimately quite vacant and shallow.

Name : Katie Walsh / Alias : Tribune News Service
Archly silly, quotable, visually hypnotic and perfectly suited for repeat viewings. On first watch, the film is bizarre, hallucinatory, shockingly gruesome. A second watch unlocks the dumb-clever charms of Refn's script

Name : Bill Goodykoontz / Alias : Arizona Republic
The film is visually striking, even if the images don't always make sense.

Name : Eric Kohn / Alias : indieWIRE
This grotesque, hyperstylized treatise on the fashion industry recaptures some of the zany images and B-movie abstractions of Refn's crossover effort, "Drive," though it never quite gels on the same level of inspiration.

Name : Chris Nashawaty / Alias : Entertainment Weekly
It's also so weighted down with mysticism and metaphor it forgets to quicken your pulse or whiten your knuckles.

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
A bold visionary artist, Refn seems able to revel in the culture of instant gratification while also subjecting it to critique.

Name : Dave Calhoun / Alias : Time Out
Gorgeous, obvious, vapid, beautiful, a bit boring.

Name : Tom Russo / Alias : Boston Globe
After all the earlier trippy languor, Refn suddenly pushes hard to make this a unique statement. Which it is - uniquely repellent.

Name : Owen Gleiberman / Alias : Variety
It's not boring, but there's less to it than meets the eyeball.

Name : Richard Roeper / Alias : Chicago Sun-Times
Neon Demon is something to look at. It's gotta lot of bark and a little bit of a bite. It just never sinks in.

Name : Simon Abrams / Alias : RogerEbert.com
Demon ranks up there with The Witch and The Babadook as one of the best recent horror films.

Name : Rafer Guzman / Alias : Newsday
Stylish and creepy, but also simplistic and hollow. As an indictment of the beauty industry, it's only skin-deep.

Name : Stephanie Zacharek / Alias : TIME Magazine
This is purely an exercise in style, and what style!

Name : Kate Taylor / Alias : Globe and Mail
Things go downhill rapidly as the movie descends into horror material that is laughably grotesque yet so visually cool it remains fatally unfunny.

Name : Kevin P. Sullivan / Alias : Entertainment Weekly
The ending will shock just about everyone, but to what end? Neon Demon is as beautiful and empty as the industry it sends up.

Name : Sara Stewart / Alias : New York Post
Like Refn's one-dimensional women, this movie thinks it's profound when it's really just drop-dead gorgeous.

Name : Brian Truitt / Alias : USA Today
Characters only exist as empty archetypal vessels and some of the wackier elements are laughably campy, but Refn's sumptuous visuals and disco-synth score help give Neon Demon undeniably sinister style.

Name : Justin Chang / Alias : Los Angeles Times
Nicolas Winding Refn's latest film is a self-indulgent exercise in style. But what self-indulgence, and what style!

Name : Andy Webster / Alias : New York Times
The film has a powerful undercurrent suggesting the feverish workings of a troubled yet brilliant mind.

Name : Scott Marks / Alias : San Diego Reader
Though it's based on Piotr Rowicki's play Clinging, director Marcin Wrona's spirited staging keeps it from ever dissolving into canned theater.

Name : David Lewis / Alias : San Francisco Chronicle
It critiques our obsession with models and beauty and style, even as it obsesses about those very same things. There is a lot of flash, but little substance.

Name : Peter Travers / Alias : Rolling Stone
A special kind of awful. I'd talk about the acting, but I never saw any; it's all posing. Director Refn seems to saying that the L.A. beauty business is superficial and needs to be avoided. Ditto this movie.

Name : Joshua Rothkopf / Alias : Time Out
Nailing a tricky sense of physical anarchy (as well as some far subtler domestic tensions), Marcin Wrona's Polish import is an eerie, extraordinarily poised piece of horror.

Name : Scott Tobias / Alias : NPR
The mesmeric pull of The Neon Demon cannot be denied. It lures you in for the kill.

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
A chilling, eerie cautionary tale about the ghosts that continue to haunt Poland long after the war.

Name : Soren Anderson / Alias : Seattle Times
Refn ("Drive") is a visual stylist, first and foremost, and he never lets the audience forget it. "Demon" is a monument to his self-regard .

Name : Will Leitch / Alias : The New Republic
A deadly combination of self-seriousness and self-indulgence that's more about the obnoxious petulance of its director than anything else. This is a movie you want to pick up and throw across the room.

Name : Peter Rainer / Alias : Christian Science Monitor
Wrona keeps everything creepily ambiguous right up to the end, when the foggy dawn breaks and what we have witnessed becomes like a dream within a dream.

Name : Simon Abrams / Alias : RogerEbert.com
"The Neon Demon" is often productively brash, even if it is ultimately more preposterous than it is satisfying.

Name : John DeFore / Alias : Hollywood Reporter
Things head eventually in an abstract direction that may have played better onstage than it does here ("we must forget what we didn't see here," guests are eventually instructed), but a compelling atmosphere lingers.

Name : Amy Nicholson / Alias : MTV
An all-female cast just gives Refn more ways to get women wrong.

Name : April Wolfe / Alias : Village Voice
Whether or not you connect with Refn's brand of over-the-top violence, you can't deny that his attention to color, texture, and music is nearly unmatched by other directors working today.

Name : Alan Zilberman / Alias : Washington Post
Wrona jumbles several genres together, including dark comedy, to illuminate larger, more ambitious themes.

Name : J. R. Jones / Alias : Chicago Reader
This stylish shocker by writer-director Nicolas Winding Refn (Drive) equates physical beauty with the life force-the metaphor is intriguing, but not enough to compensate for his cliched portrayal of the modeling business as a glamorous snake pit.

Name : Peter Howell / Alias : Toronto Star
Refn is hardly the first moviemaker to find a link between supermodels and scary monsters, but he may be the most style-minded one to make the connection. Imagine an issue of Vogue with Maleficent as guest editor.

Name : J. R. Jones / Alias : Chicago Reader
Tonally the film recalls Andrzej Żuławski's shrieking psychodrama Possession, though the key to that movie was its inexplicability and Wrona's movie, with its conventional horror backstory, is much less perplexing.

Name : Todd McCarthy / Alias : Hollywood Reporter
A stultifyingly vapid, ponderously paced allegorical critique of the modeling world whose seethingly jealous inhabitants can't wait to literally chew each other up and spit each other out.

Name : Joe Leydon / Alias : Variety
Ambiguity is a worthy artistic goal, of course. But when Demon ends, the audience is left to sort through a thicket of dangling plot threads.

Name : Mark Jenkins / Alias : NPR
It's comedy, as much as the eerie atmosphere and Tiran's very physical performance, that distinguishes Demon from routine ghost stories.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Entertaining and deeply screwed up with historic horrors, this is an all-too-human ghost story that wears several bleeding hearts on its sleeve.

Name : Katie Rife / Alias : AV Club
More interesting than the horror imagery is the film's painfully somber message-no matter how far we try to run, the sins of history surround us always.

Name : Adam Graham / Alias : Detroit News
"Demon" is a testament to a still-budding talent, and it would have been fascinating to see where he went next.

Name : David Lewis / Alias : San Francisco Chronicle
The exquisitely shot "Demon" is not gory or particularly scary, but it has its fair share of chills.

Name : Mike D'Angelo / Alias : AV Club
The movie ultimately doesn't have a narrative so much as it has a Message, and while Winding Refn doesn't actually go so far as to spell that Message out in big neon letters, he might as well have.

Name : Adam Graham / Alias : Detroit News
There's no denying the beauty of Refn's images, even if his puerile instincts are at odds with his obvious pretensions. Those who cry it's shallow and ugly won't be wrong; others will love it for those very reasons.

Name : Rex Reed / Alias : New York Observer
I'd like to tell you how dumbfoundingly awful The Neon Demon is, but I know when to give up.

Name : Andrew O'Hehir / Alias : Salon.com
Whether you think it's a brilliant feminist commentary or misogynistic softcore porn is entirely up to you. And who says those things cancel each other out?

Name : Liz Braun / Alias : Toronto Sun
The Neon Demon is a cautionary tale about youth, beauty and Los Angeles, a vampiric study of modelling that is both terrifying and hilarious.

Name : Matthew Lickona / Alias : San Diego Reader
Yes, Refn indulges his camera to the point of luxuriating, but then, he has reason to believe you'll stay with him.

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